Marianne Schuppe / Deborah Walker - Two Paths (lossless)

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elsewhere 038


Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue. Cover drawing by Marianne Schuppe.


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​TRACK LIST
 
1. Aus dem Zeltbuch (2022/23)      25:45            
co-composed by Deborah Walker / Marianne Schuppe
 
2. Occam River XXIX (2023)      21:09
composed by Éliane Radigue (SACEM)
CREDITS
 
Marianne Schuppe - voice
Deborah Walker - violoncello
 
recorded and mixed by Adam Asnan in Berlin between February and December 2025
mastered by Taku Unami
 
liner text by Éliane Radigue
cover drawings by Marianne Schuppe
designed and produced by Yuko Zama
 
special thanks to Éliane Radigue, Antoine Beuger, and Edu Haubensak

p+c 2026 elsewhere music
www.elsewheremusic.net
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue. 
 
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual areas of sound. As words and sounds overlap, they may reveal a path of sound through narration, meaning, and understandability.
 
Occam River XXIX (2023) is part of Occam Océan, a large body of work that Éliane Radigue began in 2011. The compositional process involves imagery, oral transmission, and memory, resulting in a creative relationship between the composer and the performers. Like all the pieces in the Occam Océan series, Occam River XXIX was made for and with Schuppe and Walker through a close collaborative process. The music develops from the inner life and nature of sounds, their spectral complexity, internal evolution, and mutual interaction. It features a unique approach to being inside a sound together and reacting subtly to what is constantly becoming.

​Q&A with Marianne Schuppe and Deborah Walker about Two Paths